Tuning accuracy is plus or minus one cent.
Tuning modes include Guitar, Bass, Violin, Ukulele and Chromatic. The KLIQ UberTuner costs around $10 more than the Snark, but it is known for improved speed and accuracy. It has a calibration range of 415Hz-466Hz and a long-lasting lithium battery.īass players have also responded well to this model, so there really is no reason not to pick one up, if only for emergencies. The Snark has several tuning modes, including Guitar, Chromatic, Flat Tuning and Transpose. Clip onto the headstock of any guitar, whether acoustic or electric, and you’ll be in tune in minutes. Sometimes it seems like every guitarist you know has one of these stashed somewhere for emergencies, or it could even be their main tuner for living room jams, coffee shops, or parties. The Snark SN-1X is an excellent choice for those on a budget. Let’s look at a couple of popular models. One thing to keep in mind is that external noise can have a negative effect on these, increasing the amount of time required to get in tune. Many musicians have more than one, due to the low price and convenience for playing at home, while keeping the other packed for gigs. These tuners are small and easy to toss in a guitar case or gig bag.
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You can also download apps for your phone that will let you use the internal mic as a tuner input, but these can have problems in noisy environments. A few guitars and basses have tuners built-in to their preamps. Of course, ease of use, durability, reliability, and type are important as well. Speed and accuracy, those are the most important qualities to look for when choosing a guitar tuner. That’s going to make awkward maths for many of us, but if you can justify the price, you get a truly useful pedalboard space-saver that offers the most visible floor-based tuner display around, and some useful hybrid bonuses into the bargain.Get the perfect tuner on eBay, and make some music. At nearly 250 notes, the VPJR Tuner costs nearly double what you’d pay for a standalone Ernie Ball VPJR volume pedal and a compact tuner such as the PolyTune Mini. The elephant in the room here is the price. And that’s before we even get into how useful it is to have an FX send and return. Of course, if you’ve used a volume pedal in anger you’ll know that much of the level setting is done by ear and feel, but having a readout is so useful in ensuring that you leave the treadle exactly where you want it every time. In the default volume and tuner mode, as you ease the volume up, it switches the display from the tuner to a visual depiction of your volume level from 1-10, so you can see exactly how loud you are at a glance. However, using it just in that mode would be robbing yourself of one of the VPJR Tuner’s most unexpectedly useful features.
But is it more than just a gimmick? Let’s dive in…
There’s something undeniably fun about seeing a familiar classic reinvented, in this case with a touchscreen routed out of the familiar skateboard-style grip tape on top of the pedal. When it was first revealed as a prototype at NAMM 2019, the VPJR Tuner certainly elicited plenty of oohs and ahhs from people walking past the Ernie Ball booth. Instead of trying to save space by scaling a tuner down to the point where you can barely see the damn thing, EB has opted instead to retrofit a tuner into that industry staple – the volume pedal – with the aim of offering the best of both worlds and more besides. Over the last decade or so we’ve seen companies go to great lengths to scale down their tuners as much as possible but Ernie Ball has taken a decidedly different approach. The humble tuner is an essential component of any pedalboard, but sometimes it’s hard not to feel like it’s taking up valuable pedalboard real estate where a much more exciting pedal – one that actually makes a sound – could be sitting.
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